Reimo Võsa-Tangsoo ‘Postapocalyptic LOOP’ (2022). Kinetic installation, diameter 400 cm, pigment print on Arf Fiber Warmtone paper, 72'. View from the exhibition ‘Crawl out through the Fallout’, Contemporary Art Museum of Estonian, Tallinn, Estonia, 2022. Curator: Marco Laimre. Photo: Keiu Maasik
Reimo Võsa-Tangsoo ‘Postapocalyptic LOOP’ (2022). Kinetic installation, diameter 400 cm, pigment print on Arf Fiber Warmtone paper, 72'. View from the exhibition ‘Crawl out through the Fallout’, Contemporary Art Museum of Estonian, Tallinn, Estonia, 2022. Curator: Marco Laimre. Photo: Keiu Maasik
Reimo Võsa-Tangsoo ‘[ 1 | 2 ]’ (2020). Spatial sound installation, 62'. View from the duo exhibition ‘[ 2 | 2 ] Play is Work’, Haapsalu City Gallery, Haapsalu, Estonia, 2022. Photo: Martin Buschmann
Reimo Võsa-Tangsoo ‘[ 1 | 2 ]’ (2020). Spatial sound installation, 62'. View from the duo exhibition ‘[ 2 | 2 ] Play is Work’, Haapsalu City Gallery, Haapsalu, Estonia, 2022. Photo: Martin Buschmann
Reimo Võsa-Tangsoo '[ 1 | 2 ]' (2020). Spatial sound installation, umpire chairs. View from the personal exhibition '[ 1 | 2 ]', ARS Project Space, Tallinn, Estonia, 2020. (Sound piece: https://soundcloud.com/reimo-v-sa-tangsoo/2020-ars-projectroom/s-cxMQN1VR1RC)
Reimo Võsa-Tangsoo '[ 1 | 2 ]' (2020). Spatial sound installation, umpire chairs. View from the personal exhibition '[ 1 | 2 ]', ARS Project Space, Tallinn, Estonia, 2020. (Sound piece: https://soundcloud.com/reimo-v-sa-tangsoo/2020-ars-projectroom/s-cxMQN1VR1RC)
Reimo Võsa-Tangsoo ‘Immediate Gratification’ (2017). Multichannel sound installation from directional speakers (à 100 × 100 × 7 cm). View from the personal exhibition ‘Immediate Gratification’, Draakoni Gallery, Tallinn, Estonia, 2018.
Reimo Võsa-Tangsoo ‘Immediate Gratification’ (2017). Multichannel sound installation from directional speakers (à 100 × 100 × 7 cm). View from the personal exhibition ‘Immediate Gratification’, Draakoni Gallery, Tallinn, Estonia, 2018.
Reimo Võsa-Tangsoo ‘Immediate Gratification’ (2017). Multichannel sound installation from directional speakers (à 100 × 100 × 7 cm). View from the personal exhibition ‘Immediate Gratification’, Tartu Art House, Tartu, Estonia, 2017.
Reimo Võsa-Tangsoo ‘Immediate Gratification’ (2017). Multichannel sound installation from directional speakers (à 100 × 100 × 7 cm). View from the personal exhibition ‘Immediate Gratification’, Tartu Art House, Tartu, Estonia, 2017.

Reimo Võsa-Tangsoo (b. 1976) is an artist who lives and works in Tallinn. He graduated from the Master of Arts at the Estonian Academy of Arts in 2011. In his works, he often relies on camera-based images. He also uses interactive elements, and the viewer has an important role in creating the meaning of the work of art. Tangsoo’s works mix iconic works of art, language, politics and innovative technologies. Recent projects include ‘Postapocalyptic LOOP’, ‘[ 1 | 2 ]’, ‘Immediate Gratification’, ‘…As close to the bone and to hell with the consequences…’, ‘Test System 1.1 / There’s nothing to see’ and ‘Nostalgia / Desires’.

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